THE CITIZEN INDEX

Tuesday, April 12, 2022

OUTFIT POST Exotic Quixotic

OUTFIT POST Exotic Quixotic

 

AMERICANO Y ROJO

I took these photos the December of 2020, when it was cold enough to wear this toasty (and heavy) vintage hunter's jacket, and I felt really comfortable in this outfit of reds, black and white. There's nothing high fashion about this look, in fact it looks a bit proletarian to me, and I think I love it all the more for that. 

I feel like I look very much like "me." And I like the pattern play and the color mix. For me, the color mix of black, red and white are probably one of the most flattering, and it really creates a presence. This is something I wear when "working" which includes sorting, cleaning and well pretty much anything that needs to get done. Here's another outfit featuring this vintage hunter coat: SNOW DAY WITH BONNET

Coming up, I'll be posting a couple more Winter Lewks, then catch you up on some fun spring outfits I've been wearing. They share some common elements, such as being mostly secondhand sourced, or from my own closet, as well as focusing on "forever style."

NOW WEARING: 

  • Star Wars/Van cotton bandana, thrifted 
  • JC Penny's vintage 1980s wool hunter jacket, eBay
  • Vintage 90s science tee, thrifted
  • Vintage Navajo silver jewelry, Black Iris Vtg
  • JW Anderson for Uniqlo gingham skirt, Uniqlo
  •  Striped nylon socks, We Love Colors
  • Leather clogs, neighbor free pile

Friday, April 8, 2022

ROSEBUD RAMBLE: You Tik-y You Tok-y, Me 8-Track-y

 

IN THE DIGITAL AGE, ANALOG IS STILL APT AF

While a normal person in my age bracket would be working on brushing up her TikTok skillz, I am plunging back in the medium that first connected me to the people I connect with on the internet. Not sure why, other than I am sort of an odd, old fashioned gal, who just wants to do it the way I want to do it.

 
 
 

So bear with me, I'm feeling rusty, but determined. I'd like to use this channel as a way to share some of my thoughts on sustainable fashion, personal style and the power of community.  Stay tuned.....

Meanwhile, here are some older, earlier posts from some years ago, that I still connected to- and here they are, in no particular order: 


There are also some people I'd like to thank for visiting this page! They are lovely souls, I'm honored to connect with and they have blogs too, so DO consider visiting their blogs as well: 

  • Ephemera
  • Polyester Princess
  • Shy Biker



Sunday, April 3, 2022

OUTFIT POST: Snow Day (with Bonnet)

 

BONNET LASS

These photos were taken on a snow day earlier this winter in January. I mean MAJOR SNOW. I had to wear snow shoes just to make it down the hill to get to my work studio. It was COLD. But I was prepared. I donned thick layers and trekked on in. And when I saw myself in the mirror, I absolutely loved the way it looked. I felt like a wooly Babushka, especially with my new crochet bonnet, a neighbor made for me from my local Buy Nothing group.

So forgive the total picture dump, but I love how the self portraits turned out. Even though the images are slightly redundant, I liked how dynamic each image is. And so I share them with you!

My five year old self would be quite fond of this outfit- it contains the same reasoning a kid might use to get dressed. A mix of practicality (it had snowed and the streets were a winter wonderland) and my favorite things, a black cotton dress with pink flower embroidery, a grandpa cardi, covered in polka dots,  and my new bonnet!

Those Prada crochet hats were stuff of my dreams and I had put out a request to get something similar. A sweet lady answered the call and she crocheted me a pastel pink and sage green striped cap with ties. It kinda looks like a baby's bonnet, and also, something Lil Edie of Gray Gardens would wear.

Something I'd like to share with you in my recent style journey, is that I'm now only acquiring long term items- clothes and accessories that I intend to wear for years! In the past, I feared that "forever style" garment would be boring- after all, aren't they going to be neutral and basic and safe? Well, maybe not.

To eschew trends- won't that make me look stodgey and outdated? We're going to find out. This outfit is comprised 100% off pieces that were selected because I presume they are going to be around for while.

Silly baby hat- oh you're gonna see more of this!
Vintage Hunter's jacket, a winter classic!
A chunky grandpa cardigan sweater, BUT WITH POLKA DOTS? Keeper.
Flattering, comfortable, well made cotton dress: until I outgrow it, I'm going to wear it.
Old jeans that I've had for about 6 years, will probably be around for another six.

I've recently packed up these winter essentials- the heavy coat and snow boots aren't needed for April's promise of sun. But you will see the other items in various iterations. For now, it's all about feeling good, being comfortable in my own skin, and to be able to express myself in clothes.


NOW WEARING:
  • Hand Crocheted Bonnet, gifted Buy Nothing 
  • Hershel Floral Fanny Bag, Nordstrom's 
  •  Vintage Mens Red Plaid Hunters Jacket, Black Iris Vtg 
  •  Mens Wool Blend Chunky Cardigan, Levi's  
  •  Black Cotton Dress, J. Crew
  •  Thrifted Jeans, Goodwill
  •  Sorrel Snow Boots in Buffalo Check, similar on eBay
  •   Traction Snow Cleats, REI

Wednesday, March 16, 2022

PHOTO ESSAY: Life is This + This is Living

 

 LIFE IS THIS + this is living.

If I could sum up my life in 5 sharp pictures,
I wonder if these would do.

 

SPONSORED BY:

Saturday, March 5, 2022

OUTFIT POST: Basics But Better

 

Not So Basic, Basics

So in my recent goal to create and sustain a "forever style" wardrobe, I've been on the look-out for versatile, timeless pieces made from quality fabrics that are designed to look good years from now, not just while they are "NEW." 

Quality pieces are often a bit more expensive than "fast fashion," so it takes some careful shopping, and that means I keep my eye out for bargains and sales on garments made from silk, wool and linen. SHOPPER'S TIP: choosing a secondhand option often allows you to source a great garment at a good price.

Confession: for the past couple of years, I've been having trouble finding good garments in natural fabrics IN MY SIZE since, ahem, I've gained a bit, and now weigh-in close to 180 lbs. Ugh. The racks in the plus size section at most thrifts are packed with polyester and synthetic fabrics and none of it looks good, while most of it feels cheap. Also they are often times either too frilly for my taste, or are prints I am not fond of. I literally have not found any scores in my size and taste in a thrift store (other than tees, and the occasional jacket) for years now. So, I have taken to shopping online for cough-cough, BRAND NEW stuff. 

Which is "FUN," but-
it really is much more expensive than what I'm used to, as a committed shopper of vintage and secondhand good- I'm used to good stuff for less money. I have been cheered however, by seeing quite a bit of companies who are more dedicated to quality and sustainably produced items than I have in the past. 

Some "common" brands I've enjoyed lately are Madewell and Uniqlo, two brands that I also look for when thrifting! I find the quality pretty good, AND the styles are not particularly "trendy," so when I do buy a garment, I feel I can get years of wear from them. 

The leopard crossbody bag is something I bought last year on clearance from Madewell and I'm very happy with it! I got an additional colorful strap for a little more style zest, but I see they now offer a leopard print one- and that's one I wish I had as well. 

The skirt is from a collection I adore! A 100% linen skirt that can do double duty as a strapless dress and I bought two on sale. This one is in navy blue and its from a Uniqlo collab with one of my favorite designers, JW Anderson. Purchase price was under $15 so a steal, really. 

The blouse is something I bought to look more "professional" when I got a gig playing retail salesperson at a local boutique. It's a nice silk short sleeve blouse by Lilysilk, and while I find it a bit boring, I do think it can be more versatile than I'm giving it credit for. 

What do you think? Are these basics you'd consider?



NOW WEARING: 

  • Red wool bowler hat, available HERE
  • Animal print crossbody bag with added colorful strap: Madewell
  •  Lilysilk mulberry silk camp-shirt in black, purchased on Amazon
  • Navy blue linen skirt, on clearance at Uniqlo
  • Leopard ponyhair leather slides from Hush Puppies

NOTE: some links are affiliate links and purchasing from this site may result in a commission. 




Thursday, February 24, 2022

Leopard Friends

SEEING SPOTS

I will admit, there are some people, even when you just meet them, you know they are your people. 

That's how I feel about the people in the above picture. One, is a lovely lady who bought something from me on eBay, and as she was a fellow Seattle-ite, she wanted to save on shipping and pick up locally. When she came in, I was smitten with her sweet demeanor AND her awesome style. She wore a leopard print coat, and a vintage fedora hat with an animal print satin band. The other women, my friend and colleague, Debi B, is also wearing a hat, and a leopard print dress. 

I had snapped these fast pic last December and looking upon it, I notice they are both expressing great personal style wearing leopard prints. What a great pattern that tells so much about the wearer. 

Leopard can be many things to many people- it is a reference to a certain type of royalty, a wildness, it's Lady Temptation, it is rebellious and punk. And it is also a bit of a classic, something that's been around so long, that while it is a busy print, it is also nearly a neutral.

How do you "recognize" your tribe? Do they dress like you? Do you like the same movies and books? Go to the same cafes and restaurants? Shop the same shops?



 


Saturday, January 1, 2022

OUTFIT POST: Aztec Winter

 

COLOR FOR A WHITE CHRISTMAS

It's been snowing this past week or so in Seattle, which is NOT a common thing. We're talking loads of snow!  When it first started snowing,  I had walked to my neighbors place to visit, and had left deep footprints in the snow walking there, but when I returned home an hour or so later, those footprints were gone, completely covered by more snow! 

And, it's been c-c-c-cold! Layers are the way to go, and what has kept my biscuits toasty and warm has been this AMAZING vintage Meso American woven huipil, hand loomed and embroidered from a thick wool yarn. The dress is a pull over, and quite loose fitting so it can easily go over other garments.

The "wee peel's" appeal? IT IS EFFECTIVE
Layered over a silk chemise and thermal leggings, and worn under a very heavy vintage woolen hunter jacket, this beautiful work of textile art definitely kept me warm, and left me feeling joyfully colorful. 


Also joyful, are my new sneakers, a gift from the dude for Christmas. I've been needing more practical, comfortable walking shoes, and was feeling bummed about how "stodgy" some of the options were. Well, he found these Marimekko X Adidas kicks, and they add such a fun splash of style to my comfort!

I enjoyed wearing this outfit so much, that I wore it for three days straight. During those days, I felt warm in spite of walking up and down hills covered with snow, and working in a drafty studio. I also loved the unique style of mixing the ethnic dress with my winter essentials of vintage trapper cap, and hunter's jacket. I felt when I wore this, that winter couldn't keep my spirits down! 

Tell me, would YOU wear something so unconventional during a snow storm?

NOW WEARING: 

  • vintage Eddie Bauer wool trapper cap, available HERE 
  • vintage J.C. Penney woolen hunter's jacket, eBay
  • vintage handwoven woolen huipil dress, Lady Lair Vintage on Etsy 
  • not shown (under the huipil) Eileen Fisher silk dress, similar HERE
  • Duofold black thermal leggings, buy yours on Amazon 
  • Marimekko X Adidas ultraboost, gifted, also available at ZAPPOS

Thursday, December 23, 2021

Last Years Vintage: The Pendleton, Part 1


The Pendleton, Part 1: Pendleton IS as Pendleton Does


Last year, I purchased this coat on eBay, it was an attractive men's car coat made by Pendleton, and the price was relatively cheap enough, I thought I could flip it for a profit. When it showed up, it was in even better condition than described, surprisingly light weight, and it fit me well. I have a heavy weight winter coat, a hunter's jacket in red and black plaid, and some light weight coats, but for cold but not freezing weather, I was in need of something warm, but not too warm. This fit the bill. 

So I kept it for myself.

It was around this time of year last year, so these photos are a year old, but it is likely I would style it similarly now. Since I just pulled it out of storage, replaced a missing button, it is the coat I grab to leave the house, so I'll see what photos I can take of it now and share with you. 

While I'm not a person who is a brand snob by any means, there are some brands and label that do impress me and that I will seek out. Pendleton is one such brand. The quality through-out the years is top notch, and while vintage 1950s 49er jackets are perfection, even recently made garments (and blankets) are well made and made to last. It is a brand that seems committed to quality, and I can appreciate that. 

Are there any heritage labels that attract your brand loyalty?

 

NOW WEARING: 

  • no make-up! 
  • vintage 1950s Pendleton wool car coat, eBay
  •  GAP black cotton eyelet dress, thrifted

Tuesday, November 30, 2021

OUTFIT POST Grunge Girl

GOT GRUNGE? 

What to do when FASHION comes back to the 1990s style you never left. 

I'm pretty sure I came into my personal style in the late 80s, early 90s, and so, still feel pretty fond of the spirit, and the aesthetics of that time. Whenever lately, I put together an ensemble that I'm feeling pretty sassy about, I'll get the backsided compliment that I'm "looking so very 90s today," LOL. 

My personal style includes an undiminished love of plaids, of old things chippy and holey, and a constant mishmash of vintage on vintage on vintage. Never true to any one decade or era, but savoring so many elements about each. Which, when I think about it, is very much an ethos taken from the 90s.

This past year, I've been rededicating my wardrobe to my personal style- and to DRESS TO EXPRESS. After a year or so of constant lounge and sweatpants attire, I've committed to upping my style game- and to do so, I've been focusing on adding FOREVER STYLE elements to my closet. 

Case in point, every single item in this outfit is something that would have been fashionable in the last decade, and will be stylish still, in the next. 

1) A SHADOW PLAID FLANNEL SHIRT: perfectly classic 1950s teen attire, and it reminds me of my favorite cholo uncle who wore shirts like this over a crisp white Hanes t-shirt, with his oversized khaki Ben Davis or Dickies work pants and Converse high tops throughout the 1970s. Flannel: top button buttoned only. Whenever I do a top button only, it is an homage to my late Uncle Johnny. 

2) THE SIMPLE SOLID COLOR TUBE TOP DRESS:  personally, I LOVE tube top bodices on summer dresses! It accommodates whatever boob size I happen to be sporting at the time, and it works so well as an under layer in the spring and fall. This one is made from linen, so it has definitely been on high rotation since I bought it on sale last spring.

3) WOODEN HEELED CLOGS: the OG of clogs and so very Swedish, so very seventies and so very noisy when strolling well, anywhere. But there is an outsider chic to them - librarian, Bergman, and permanent boho wrapped up in one. While the ugly-cute factor might not be for everyone- for those that do appreciate their appeal, will do so regardless of shoe trends. 

So with the shirt, I felt I could style it one of two ways: Cholita or Grunge, and for this day, I chose an updated Grunge'ish look. First thing I did to the shirt though was rip it up, to add a bit of raggedy to the shirt, because it isn't vintage and I wanted a more vintage look. I added some personalized elements to it too- an old vintage grosgrain ribbon, a silk flower petal sewn on with a button embellishment. I'm looking forward in adding more personalized elements to the shirt and feeling it reflect more of my personal style over time.

The clean ivory white of the linen dress adds a bit of modernity to the look- while inspired by the 90s, I don't want look to be stuck in that decade. The dress is actually a skirt- it's a Uniqlo score from their JW Anderson collection and while it works OK as a skirt for me, I really find it suits me well by raising it up to my chest and wearing it as a dress.

The clogs look to be a vintage pair but I don't know for sure as there is no label inside the shoes. The heels are wooden, and the leather uppers are a pretty good quality. I like the low heel but don't like the loud noise they make with my walking. They may not be forever in my closet, regardless of their eternal appeal.

NOW WEARING: 

  • Plaid cotton shirt, Xhilaration (Target label) THRIFTED from Goodwill
  • Linen Skirt/converted dress, JW Anderson, CLEARANCE, Uniqlo
  • Black leather, wooden heel clogs, label missing, THRIFTED from Goodwill

 

Tell me, how would YOU style a plaid shirt to harken the 1990s?


Monday, November 8, 2021

Generic YOU

 

 THE TRUE YOU MAY BE SOMEONE YOU HAVEN'T YET MET.

She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.

 


In English grammar and in particular in casual English, generic, impersonal, or indefinite you is the use of the pronoun you to refer to an unspecified person, as opposed to its standard use as the second-person pronoun. Generic you can often be used in the place of one, the third-person singular impersonal pronoun, in colloquial speech. 

 

What does it mean to be you?
Will any you, just do?

 

"First, we need to think a bit more about what we mean by identity.

If identity provides us with the means of answering the question ‘who am I?’ it might appear to be about personality; the sort of person I am. That is only part of the story. Identity is different from personality in important respects. We may share personality traits with other people, but sharing an identity suggests some active engagement on our part. We choose to identify with a particular identity or group. Sometimes we have more choice than others. This chunk will address the relative importance of structures, the forces beyond our control which shape our identities, and agency, the degree of control which we ourselves can exert over who we are. Identity requires some awareness on our part. Personality describes qualities individuals may have, such as being outgoing or shy, internal characteristics, but identity requires some element of choice. For example, I may go to football matches on Saturdays because I enjoy shouting loudly with a crowd of lively extroverts, but I go to watch Sheffield Wednesday because I want to identify with that particular team, to wear that scarf and make a statement about who I am, and, of course, because I want to state that I support one Sheffield team and not the other (Sheffield United). We may be characterized by having personality traits, but we have to identify with – that is, actively take up – an identity.

This example also illustrates the importance of marking oneself as having the same identity as one group of people and a different one from others. Think about a situation where you meet someone for the first time and, in trying to find out who they are, ask questions about where they come from and what they do. In such situations we are trying to find out what makes up this person and also what makes them the same as us – that is, what we have in common – and what makes them different. If you see somebody wearing the badge of an organization to which you also belong, it marks that person out as being the same as you, as sharing an identity. Or consider a situation where, traveling abroad, hearing the voices of those who speak your own language, you feel both a sense of recognition and of belonging. In a strange place, finding people who share our language provides us with something and someone with whom we can identify. Or imagine that you are on a train, and a stranger in the compartment is reading the local newspaper from the town where you were born. You might strike up a conversation which includes references to what you have in common. This presents a moment of recognition and of having something in common with another person who shares an identity with you. Identity is marked by similarity, that is of the people like us, and by difference, of those who are not. There are other examples which are less reassuring, where the appropriate identity is not established, and where, for example, one may be denied access to credit or hire purchase, pension or sickness benefits, or entry to a club or restaurant, or, even more significantly, to a country.

How do we know which people are the same as us? What information do we use to categorise others and ourselves? In the examples above, what is often important is a symbol, like a badge, a team scarf, a newspaper, the language we speak, or perhaps the clothes we wear. Sometimes it is obvious. A badge can be a clear public statement that we identify with a particular group. Sometimes it is more subtle, but symbols and representations are important in marking the ways in which we share identities with some people and distinguish ourselves as different from others.

In this sense, although as individuals we have to take up identities actively, those identities are necessarily the product of the society in which we live and our relationship with others. Identity provides a link between individuals and the world in which they live. Identity combines how I see myself and how others see me. Identity involves the internal and the subjective, and the external. It is a socially recognized position, recognized by others, not just by me.

However, how I see myself and how others see me do not always fit. For example, individuals may view themselves as high achievers, worthy of promotion, yet be viewed by their employer as less than successful. The young people noisily returning home from a club in the early hours of the morning may be seen by others as troublemakers. Think about some of the ways in which how you see yourself may be at variance with others' perception of you. This could be at a more personal level, in the context of family and friendship relationships, or at a more public or even global level, where particular characteristics are attributed to specific national or ethnic groups. A sense of conflicting identities may result from the tensions between having to be a student, a parent, and an employee at the same time: these are examples of the multiple identities which people have.

The link between myself and others is not only indicated by the connection between how I see myself and how other people see me, but also by the connection between what I want to be and the influences, pressures and opportunities which are available. Material, social and physical constraints prevent us from successfully presenting ourselves in some identity positions – constraints which include the perceptions of others. Criminal identities are often produced through the exaggeration of stereotyping, where newspaper reports reproduce the notion of a criminal identity as young, male and black (Mooney et al., 2000). Criminality can be produced by others who construct this category of person. This process of stereotyping certain groups as criminal also illustrates some of the imbalances and inequalities in the relationship between the individual and the world outside.

The subject, ‘I’ or ‘we’ in the identity equation, involves some element of choice, however limited. The concept of identity encompasses some notion of human agency; an idea that we can have some control in constructing our own identities. There are, of course, constraints which may lie in the external world, where material and social factors may limit the degree of agency which individuals may have. Lack of material resources severely limits the opportunities we have; as in the case of poverty and economic constraints. It is impossible to have an identity as a successful career woman if one is without a job and if there are no employment opportunities. Other limitations to our autonomy may reside within us, for example in the bodies which we inhabit, as illustrated by the ageing process, by physical impairments, illness and the actual size and shape of our bodies." (source)

Do you own
your persona? Or, did you

sell your mystique?

I am your opus,
I am your valuable,   
The pure gold baby

That melts to a shriek.  

 


How + when do you present your generic you?


When you drop the name brand bland,

and go as dew?


San serif, without the teeth,
without a whisper of queef.


The best behavior you,
stomach all sucked in,


not a butter pat of sin.
All bird and no beak.

Is this
the you, 

you seek?